On September 9, the three-day "Masters and Masterpieces" 2020 Intellectual Figures Ceremony was successfully held at the Anandi Hotel in Shanghai. Many design masters were invited to this ceremony. teach. FAENZA is dedicated to supporting this annual design aesthetics class, helping the development of humanistic aesthetics and design art, allowing talents to be respected, values to be passed on, beauty to bloom, and ideas to shine.
Sowing knowledge is sowing happiness. In such an all-encompassing era, an era in the ascendant, we often ask ourselves, what can we do for this era? What to do for the public?
FAENZA joins forces with dreamy brand partners to jointly promote the development of Chinese humanistic aesthetics and design art through the "Masters and Masterpieces" 2020 Intellectual Figures Ceremony.
Master’s lecture, interpretation of design
On September 8, Mr. Shan Jixiang, the former director of the Palace Museum, told the [Cultural Story of the Forbidden City] at the scene. He said: "The countryGive the Forbidden City to him, he will give himself to the Forbidden City, and leave the Forbidden City to the future. "Teacher Shan, who makes cultural heritage resources come alive, emphasizes that "culture is the strongest backer of design." Design can revitalize cultural assets, and the power of culture gives design stories and aesthetics.
△Teacher Shan Jixiang, former director of the Palace Museum< /span>
Teacher Liu Guanzhong, the father of Chinese industrial design, talked about [Design Thinking], emphasizing the importance of "structural knowledge" through design methodology and cases. Vision determines the width, the pattern determines the height, and the concept determines the future. "Design is silent Excellent service, silent naming! "Creating humanistic aesthetics and social value with design thinking is our sonorous and powerful answer to this era.
△Teacher Liu Guanzhong, the father of Chinese industrial design
On September 9th, Professor Dong Mei, a scholar of Chinese classical literature and culture, asked questions through poetry, taking us into the world of classical literature, which is sensitive, full of emotion, righteous in nature, clear in thinking, and consistent with Tao. , climb higher step by step, grasp the consciousness and respect of the subject of life, and learn to dialogue with eternal things. Chinese culture is not used for thinking.It is not tested, but practiced in life to achieve a perfect personality.
△Professor Dong Mei, a scholar of Chinese classical literature and culture< /span>
Professor Zhu Liangzhi, a famous scholar of Eastern aesthetics, talked about [Talk about some basic issues of traditional Chinese aesthetics], the realm - love the world! Life is short, accidental, without choice, thrown into this world in an instant in time and lonely in space. Therefore, we must use the spirit of "total" to cherish life and cherish life.
△Professor Zhu Liangzhi, a famous scholar of oriental aesthetics
Masterpiece, wonderful session
Our environment defines us, but we also change and shape the world.
From September 7th to September 9th, the masterpieces of the masterpieces were displayed in a three-day design space. FAENZA used light strips, colors, and quality products to create an artistic design space.
Masters Ceremony, Honors to the Masters
On the evening of September 9, the "Masters and Masterpieces" awards ceremony was held grandly. FAENZA won two honors: "Excellent Design Education Promotion Brand of 2020" and "Excellent Design Education Promotion Figure of 2020".FAENZA, as an Italian design brand, has an international design team. While committed to promoting the development of design in China, we are also eager for more design forces to join us. We have been moving forward on the road of unremittingly creating a better life.
All good ideas deserve respect and recognition! FAENZA hopes that all designers, artists, and cultural scholars can become accelerators that drive a better life. We believe that everything we do at this moment will bloom with richer and more diverse meanings at some point in the future.
(This article is provided by the enterprise)
